I’m pretty sure I just watched this year’s Oscar winner for best picture.
The Descendants is a familiar film. It does not tread over too-worn territory or repackage plots of past successes, but it is eminently recognizable. Like watching real life. Not your life, but someone’s.
The Descendants is about a man named Matt King. Matt, played by George Clooney at his most vulnerable, is a man weighed down by the trials of life. He is trying to put his family together after a tragic boating accident left his wife in a coma from which she will never wake. He is the sole proprietor of a massive piece of virgin Hawaiian land, the fate of which is of great interest to both his extended family and the whole state of Hawaii. His daughters are disrespectful and rebellious. And on top of all this he discovers that his wife was committing adultery before the accident, and planned to leave him.
With a plot like this, it may be difficult to see how The Descendants could seem so familiar.
But plot has little to do with it.
At its heart, The Descendants is about the most basic elements of human interaction: love, loss, death, betrayal, forgiveness, and reconciliation. It’s a movie about the human condition. And it is one of the most honest depictions I have seen.
The brilliance of The Descendants begins with writer/director Alexander Payne. His understanding of humanity, and of men in particular, is on full display in this film. He never forces an emotion or baits the audience with the sappy cliches that fill so many family dramas. He paints a vivid picture and invites the audience to enter in.
So for 115 minutes, we live these difficult days along with Matt King, experiencing the pain of discovering that someone you’re about to lose has been lost to you for years, agonizing over a business decision about which millions of people have an opinion, and wandering through fatherhood with little understanding of how to lead and love daughters whom you barely know.

It’s a heavy film, but unlike most dramas, The Descendants does not take itself too seriously. As I said, it never forces a moment to be more than it is. One of the most endearing elements of the film is how much humor is present. In every dark and difficult moment, there is relief. There is no wallowing in self pity or excessive sentimentality. Life is full of laughter in the midst of pain, and the Descendants keeps this tension well throughout the film, leaving us feeling good about the future of this wounded family.
The most satisfying and uplifting element of the film is the theme of forgiveness, which is not a very popular theme today. We flock to movies about revenge and retribution. Rarely do we see a movie that so unashamedly and freely offers forgiveness to undeserving characters.
Forgiveness cuts the legs out of hatred. It allows for healing from the most scarring wounds. It immediately dissolves barriers of shame and guilt, and makes friends of bitter enemies.
This what God the Father has done for the world through Jesus isn’t it? The world hates God. We have rebelled against His rule as our good and perfect King. We have committed adultery against Him by selling ourselves to lesser gods. And we mocked Him by killing His Son. But that very Son whom we killed became God’s means of forgiving us. For in the death of Jesus, our sins, our hatred, our adultery, our rebellion was paid for. Forgiven. Washed away. So that God can once again look on the people He created for Himself with love and care.
This is the heart of The Descendants forgiveness that comes through sacrifice. The main thread of the plot, which I won’t give away, follows this path, and its climax is beautiful, heartbreaking, and so sweet.
Because of the language and subject matter, this is not a movie for the whole family. However, this is a movie that I think every adult should see. It’s an important film. Not because it tells the story of some great historical revolution or triumph of the human will, but because it is a rare thing for a hollywood film to embrace central gospel themes in such a captivating and honest fashion.
